Here's the entry for the Feederz printed in The Rough Guide to Punk by Al Spicer. We should add that Ben Wah is the present drummer when Frank is around:

"The simplest surrealist act consists of going down the street, revolver in hand, and shooting at random into the crowd..."
                                                                                                                                                                     Andre Breton

    Frank Discussion - Owner of US hardcore's best-ever stage-name - gave a new definition to the phrase "confrontational performer" when, backed by Art Nouveau (a.k.a. John Vivier, drums, deceased) and Clear Bob (a.k.a. Dan Clark, bass) at the first Feederz show, he whipped out an assault rifle and sprayed the audience with gunfire. Granted he was using blanks, there were no reported injuries and those who were there are still doubtless retelling the tale - but, unforgettable thrill and blood-fizzing buzz apart, it must have been the most frightening experience in punk rock history.

    It was a promising start to a career combining great music with serious politics, refracted through the unique anarcho-Situationist lenses through which Frank view the world. Coming from the same prankster background as his friend Jello Biafra, Frank Discussion's recordings and live appearances share the Dead Kennedys' "once heard, never forgotten" approach to claiming and maintaining an audience's attention. Having ditched the weaponry, Frank has been known to perform shows with his head shaved to the scalp and decorated with cockroaches glued - wriggling legs and antennae upwards - to his pate.

    1980 saw the Feederz' first, best and most notorious song challenge the freedom of speech statutes until it cracked at the seams. "Jesus Entering From The Rear" is arguably the single most blashphemous song ever written (although Crass's "Reality Asylum" might just pip it at post), and it's certainly one of the funniest. Arizona probably has laws forbidding that kind of thing, and with the added fallout from another of his better pranks (he arranged for thousands of students to receive official-looking documents announcing a fraudulent essay contest), Frank took his punk rock, laced with a stew of influences ranging from Zappa to Beethoven to San Francisco.

    He left the original gang back in Arizona, picking first on DH Peligro (who took over drums, though he also played with the Dead Kennedys) and Mark Roderick/Rodriguez (bass) as his new Feederz, ushering them into the studio to produce Ever Feel Like Killing Your Boss? (Flaming Banker, 1984) - an album more notorious for its Situationist-style sandpaper cover, designed to rub up neighboring products the wrong way, than for its tunes or the admirable sentiments they conveyed. (A sample from the sleeve notes: Recording Music is Ruining the Record Industry - Keep Up the Good Work.")

    Frank fell into a routine of disappearing periodically before resurfacing with an all-new Feederz line-up, while continuing to spearhead their campaign to abolish society through performance-punk and challenges to authority. Having twisted the tail of Christianity with their first single, and discovered the fun to be had with covers on their first album, the Feederz, now consisting of Frank plus Jayed Scotti (timbale player - another member of both the DKs and Feederz crew), took on the entire American people, together with anyone who considered themselves to be of good taste with the release of their second album, Teachers in Space (1986), the cover of which showed a photo of the Challenger space shuttle disaster on the cover. Unsurprisingly, the album sold in the high dozens.

    Frank kept the band actively irritating the powers that be until 1987, when, sick of the whole affair, he retired from the punk biz.

Frank was last definitively spotted in Seattle where having qualified as a babalao - a Santeria high priest - he was magically bringing about the end of society according to plan. After a series of gigs in the Summer of 2004, he is currently rumoured to be in Mexico with the Zapatista Army of National Liberation.

Ever Feel Like Killing Your Boss? (Broken Rekids, 2002)
The CD reissue of the classic Feederz debut boasts the same  sandpaper-cover gimmick as the original vinyl album. The music, if the obvious cliché can be forgiven, is equally abrasive. "Have You Never Been Mellos" is the only Olivia Newton-John song the band ever covered, for which she should be grateful, while "Jesus Entering From The Rear" is as remarkable as ever.

Vandalism: Beautiful As A Rock In A Cop's Face (Broken Rekids, 2002)
Frank Discussion's new material is just as offensive as the old stuff, a refreshingly honest splash of water in a sea of warm piss. As for the review, how about this God's-eye view from the Feederz site (www.feederz.com):  "When the idea occurred to me to create the world, I foresaw that one day someone would make a recording as revolting as Vandalism: Beautiful As A Rock In A Cop's Face. Therefore, I thought it better not to create the world." - God.